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  • Answer You - Hero's Journey (Monomyth): Fish Out of Water / Hero's Abilities

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    ished. This illustrates how far the Hero must evolve. For example, in The Godfather (1972), Michael is initially a Fish out of Water in Sicily.

    Later still, the Hero must demonstrate his or her Transformation and the abilities that come with that. Again, in The Godfather (9172), Michael returns to pick up Kaye, is dressed in black and has absorbed his father's ideology enough to convince and deceive Kaye.

    All of the above must be inte

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    [From our deconstruction of hundreds of Hollywood blockbusters and sitcoms (see below for the URL of our Home Page) and our isolation and identification of more than 188 stages of the Hero's Journey that you need to know about...]

    The Hero's Journey is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the Hollywood movies we have deconstructed are based on this template.

    Understanding this template is a priority for story or screenwriters.

    There is only one story.

    The Hero's Journey:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharsis).

    d) Gives you a universal structural template upon which you can superimpose your situational story.

    and more...

    Developing the Hero's Abilities

    The Hero (or AntiHero) is such for a number of particular reasons, which must be illustrated at specific stages of the Transformation / Journey.

    Often the Hero has innate abilites that set him or her apart. These are often illustrated at the stage of the Ordinary World and Ordinary Self and Devolved State. For example, in Alien (1979), that Ripley is one of the sharpest is illustrated by her coming to the conclusion that they are in a different system before any of the others.

    Further down the line, during the stages of the First Threshold and entry into the Road of Transformation / Trials, the Hero's Fish out of Water status must be established. This illustrates how far the Hero must evolve. For example, in The Godfather (1972), Michael is initially a Fish out of Water in Sicily.

    Later still, the Hero must demonstrate his or her Transformation and the abilities that come with that. Again, in The Godfather (9172), Michael returns to pick up Kaye, is dressed in black and has absorbed his father's ideology enough to convince and deceive Kaye.

    All of the above must be inter

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    e.

    Understanding this template is a priority for story or screenwriters.

    There is only one story.

    The Hero's Journey:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharsis).

    d) Gives you a universal structural template upon which you can superimpose your situational story.

    and more...

    Developing the Hero's Abilities

    The Hero (or AntiHero) is such for a number of particular reasons, which must be illustrated at specific stages of the Transformation / Journey.

    Often the Hero has innate abilites that set him or her apart. These are often illustrated at the stage of the Ordinary World and Ordinary Self and Devolved State. For example, in Alien (1979), that Ripley is one of the sharpest is illustrated by her coming to the conclusion that they are in a different system before any of the others.

    Further down the line, during the stages of the First Threshold and entry into the Road of Transformation / Trials, the Hero's Fish out of Water status must be established. This illustrates how far the Hero must evolve. For example, in The Godfather (1972), Michael is initially a Fish out of Water in Sicily.

    Later still, the Hero must demonstrate his or her Transformation and the abilities that come with that. Again, in The Godfather (9172), Michael returns to pick up Kaye, is dressed in black and has absorbed his father's ideology enough to convince and deceive Kaye.

    All of the above must be inte

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    and releasing dissonance (establishing and achieving catharsis).

    d) Gives you a universal structural template upon which you can superimpose your situational story.

    and more...

    Developing the Hero's Abilities

    The Hero (or AntiHero) is such for a number of particular reasons, which must be illustrated at specific stages of the Transformation / Journey.

    Often the Hero has innate abilites that set him or her apart. These are often illustrated at the stage of the Ordinary World and Ordinary Self and Devolved State. For example, in Alien (1979), that Ripley is one of the sharpest is illustrated by her coming to the conclusion that they are in a different system before any of the others.

    Further down the line, during the stages of the First Threshold and entry into the Road of Transformation / Trials, the Hero's Fish out of Water status must be established. This illustrates how far the Hero must evolve. For example, in The Godfather (1972), Michael is initially a Fish out of Water in Sicily.

    Later still, the Hero must demonstrate his or her Transformation and the abilities that come with that. Again, in The Godfather (9172), Michael returns to pick up Kaye, is dressed in black and has absorbed his father's ideology enough to convince and deceive Kaye.

    All of the above must be inte

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    . These are often illustrated at the stage of the Ordinary World and Ordinary Self and Devolved State. For example, in Alien (1979), that Ripley is one of the sharpest is illustrated by her coming to the conclusion that they are in a different system before any of the others.

    Further down the line, during the stages of the First Threshold and entry into the Road of Transformation / Trials, the Hero's Fish out of Water status must be established. This illustrates how far the Hero must evolve. For example, in The Godfather (1972), Michael is initially a Fish out of Water in Sicily.

    Later still, the Hero must demonstrate his or her Transformation and the abilities that come with that. Again, in The Godfather (9172), Michael returns to pick up Kaye, is dressed in black and has absorbed his father's ideology enough to convince and deceive Kaye.

    All of the above must be inte

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    ished. This illustrates how far the Hero must evolve. For example, in The Godfather (1972), Michael is initially a Fish out of Water in Sicily.

    Later still, the Hero must demonstrate his or her Transformation and the abilities that come with that. Again, in The Godfather (9172), Michael returns to pick up Kaye, is dressed in black and has absorbed his father's ideology enough to convince and deceive Kaye.

    All of the above must be intertwined with the Hero's Four Core Challenges.

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